{"id":1953,"date":"2024-02-19T17:07:11","date_gmt":"2024-02-19T15:07:11","guid":{"rendered":"https:\/\/observatoriodelplacer.com\/?page_id=1953"},"modified":"2025-02-27T21:22:17","modified_gmt":"2025-02-27T19:22:17","slug":"cannibalism-por-kulshedra-y-zelie-dp","status":"publish","type":"page","link":"https:\/\/observatoriodelplacer.com\/en\/cannibalism-por-kulshedra-y-zelie-dp\/","title":{"rendered":"Cannibalism by KULSHEDRA and Z\u00e9lie DP"},"content":{"rendered":"
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_ Residence April 15-19, 2024
_ Taller 18<\/a> y performance 19<\/a> de abril<\/h5>\n\n\n\n

Cannibalism es un t\u00e9rmino que data de la \u00e9poca de Col\u00f3n y se utilizaba para deshumanizar a los habitantes ind\u00edgenas de las tierras que los europeos vinieron a colonizar. Esta investigaci\u00f3n propone revertir este concepto blanco y occidental hacia nosotres mismes e interrogar nuestra propia blancura a trav\u00e9s de \u00e9l. <\/p>\n\n\n\n

Si el canibalismo (como el acto concreto de comer carne humana) se produjo de muchas formas en Europa, proponemos examinar esta noci\u00f3n con una visi\u00f3n m\u00e1s amplia. Podr\u00eda entenderse como un conjunto de pr\u00e1cticas deshumanizantes basadas en el predeseo de la carne de le otre, acciones que terminan en aniquilar y destruir el objeto de este deseo. Como somos artistas AFAB blanques y sanes, nuestra investigaci\u00f3n se centrar\u00e1 en lo que experimentamos. Aplicado a las teor\u00edas feministas y queer, el canibalismo podr\u00eda enmarcarse como el deseo masculino construido sobre cuerpos \u00abfemeninos\u00bb que en la cultura occidental resulta en violencia sexual y de g\u00e9nero.<\/p>\n\n\n\n

We will be investigating patternal gestures of these objectifying structures by imposing them on each other\u2019s bodies. Slapping, biting, hair- and breast-pulling or hip bending will be inflicted on each other. Nonetheless as it is two female-assigned and queer bodies sharing similar background stories, the research hypothesis we formulate is that the cannibalistic polarity could be disrupted, these gestures un-meant up until the point where the teasing of the flesh would be uncovered as non-sexual and non-gendered pleasures; forms of queer body interactions could offer a different direction to this pre-(eating) human desire of the other\u2019s flesh.<\/p>\n\n\n\n

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WORKSHOP<\/strong> 18 de abril<\/h5>\n\n\n\n

In this workshop we will question eroticism and archetypes of pleasure associated with it.<\/p>\n\n\n\n

Personal experience of sexual trauma and power dynamics led us to find new ways of connecting to our bodies reclaiming forbidden aspects of ourselves.<\/p>\n\n\n\n

In the context our residencia en Observatorio del Placer<\/a>, we would like to share with you our practices and explorations. Each participant will find ways to reconnect with their personal sexual experiences and challenge what we already know of it. Through guided exercises of body work, breathing and massage therapy we aim to reinforce intuition and creativity.<\/p>\n\n\n\n

In the timeframe of this workshop, we propose ways to identify places of the body where trauma is stored and to reframe body pleasures. This intends to experience sensuality and touch from a queer perspective.<\/p>\n\n\n\n

We would like to be transparent that it can be triggering and uncomfortable to come to that. We will make time to talk and share about what could be coming up in that process.<\/p>\n\n\n\n

Coming from a perspective of social justice and intersectional feminism, we welcome everyone called by this workshop.<\/p>\n\n\n\n

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_ PERFORMANCE<\/strong> 19 abril<\/h5>\n\n\n\n

El canibalismo (en el contexto occidental) suele definirse como el deseo incondicional de carne humana hasta el punto de comerla y aniquilarla. El\/la\/le otrx humano ya no es un sujeto libre sino un objeto que unx mismx puede comer. Esta performance apuesta por mostrar que no existe una carne humana universal, ni su deseo colegiado. Aplicado a las teor\u00edas feministas, el canibalismo se encuadrar\u00eda como el deseo masculino construido sobre cuerpos \u00abfemeninos\u00bb que resulta en violencia sexual y de g\u00e9nero. Investigaremos los gestos patrones de estas estructuras objetivantes imponi\u00e9ndolas en los cuerpos de cada unx.<\/p>\n\n\n\n

Bofetadas, mordiscos, tirones de pelo y pechos o flexiones de cadera se infligir\u00e1n unxs a otrzs, insinuando nuestra destrucci\u00f3n. Pero en escena hay dos cuerpos asignados por mujeres que comparten historias extra\u00f1as similares. La polaridad can\u00edbal se ve as\u00ed al mismo tiempo perturbada: estos gestos significan no-intencionados hasta el punto en que las burlas de la carne se revelar\u00edan como placeres no sexuales ni de g\u00e9nero; Formas de interacciones corporales queer podr\u00edan ofrecer una direcci\u00f3n diferente a este deseo humano previo a (comer) la carne del\/x otrx.<\/p>\n\n\n\n

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Memoria tras la residencia<\/h2>\n\n\n\n

I LOVE DOGGY STYLE, CANNIBALISM69<\/h4>\n\n\n\n

Ya sea en la performance o en el taller, investigamos sobre las estructuras corporales de la dominaci\u00f3n no consensual, las pr\u00e1cticas can\u00edbales occidentales que deshumanizan y consumen los cuerpos. Nos colocamos fuera de la urgencia de reparar y fijar estos traumas para cuestionar las formas de rendirnos a ellos sin poseerlos ni ser pose\u00eddos por ellos. Esta cita de Avgi Saketopoulou en una de sus entrevistas para su libro \u00abSexualidad m\u00e1s all\u00e1 del consentimiento: riesgo, raza, traumatofilia\u00bb nos inspir\u00f3: \u00ab\u00bfQu\u00e9 tipo de nuevos yoes, hilaturas surgen del trauma, cuando surge en el dominio de lo er\u00f3tico, el dominio de la est\u00e9tica?\u00bb.<\/p>\n\n\n\n

Tanto la pieza (1 hora) como el taller fueron iniciados por dos personas trans blancas, no binaries, afab y sin discapacidades, con \u00e9nfasis en nuestros traumas sexuales y er\u00f3ticos.<\/p>\n\n\n\n

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KULSHEDRA<\/strong> (he\/they) <\/h2>\n\n\n\n

Is a movement artist, performer, teacher, pleasure activist, body worker, who grew up in Albania and Italy and is currently based in Berlin. They have been performing exclusively for queer and multidisciplinary events that focus on coming together and giving a big f uck y ou to social norms of purity.
https:\/\/www.instagram.com\/unlocked_kulshedra\/<\/a><\/strong><\/p>\n\n\n\n

Z\u00e9lie DP<\/strong> (they\/them) <\/h2>\n\n\n\n

Is a white French abled-bodied afab non-binary artist based in Berlin whose both performance and filmmaking practices question queerness, sexuality and sexual\/gender-based violence as social constructs that can be undone.
https:\/\/www.instagram.com\/dizzzy_raw_\/<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n\n\n\n

Performance filmed by Cande<\/p>\n\n\n\n

\"Cannibalism<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n\n\n\n
\"Cannibalism<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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The OdP 2024 artistic residency project receives support from Barcelona City Council.<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

_ Residencia 15-19 de abril 2024_ Taller 18 y performance 19 de abril Cannibalism es un t\u00e9rmino que data de la \u00e9poca de Col\u00f3n y se utilizaba para deshumanizar a los habitantes ind\u00edgenas de las tierras que los europeos vinieron a colonizar. Esta investigaci\u00f3n propone revertir este concepto blanco y occidental hacia nosotres mismes e […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1953","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/1953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/comments?post=1953"}],"version-history":[{"count":25,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/1953\/revisions"}],"predecessor-version":[{"id":3550,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/1953\/revisions\/3550"}],"wp:attachment":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/media?parent=1953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}