{"id":2605,"date":"2024-08-06T11:17:49","date_gmt":"2024-08-06T09:17:49","guid":{"rendered":"https:\/\/observatoriodelplacer.com\/?page_id=2605"},"modified":"2024-08-26T12:08:58","modified_gmt":"2024-08-26T10:08:58","slug":"taller-ass-opera","status":"publish","type":"page","link":"https:\/\/observatoriodelplacer.com\/en\/taller-ass-opera\/","title":{"rendered":"Canto l\u00edrico desde el ano\u00a0y otres Sirenes del O"},"content":{"rendered":"
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_ Residencia 9 – 13 de septiembre 2024<\/a>
_ Lyrical song from the anus and other Sirens of the O \u2013 Sunday 15 September<\/h5>\n\n\n\n
Closing activity of the Ass Opera artistic residency<\/em><\/h5>\n\n\n\n

Ahhhh, take a deep breath and relax your anus:<\/em><\/p>\n\n\n\n

Come to a performative gathering between Ass Opera and shame as a possibility of queerfeminist eroticism and transformation!<\/p>\n\n\n\n

We invite the audience to watch and experience themselves:<\/p>\n\n\n\n

We performatively present our research SIRENS OF THE O. and seduce the audience to experiment themselves up to a collective Ass Opera chorus.<\/p>\n\n\n\n

No previous singing experience needed, bring or wear ass-friendly clothes.<\/em><\/p>\n\n\n\n

Jasmina Rezig (elle) and Marja Christians (hairy she)<\/em><\/strong>met to queerify opera and classical singing. They laugh, discuss and perform together, currently for the transdisciplin-hairy project SIRENS OF THE O<\/p>\n\n\n\n

Canto l\u00edrico desde el ano y otres Sirenes del O <\/em><\/strong>>> Domingo 15 de sept. 18h<\/strong><\/em>
Collaboration experience 20\u20ac<\/strong>
Or variable collaboration depending on your current situation 10-40\u20ac.<\/em>
Consult information about variable collaboration<\/strong><\/a><\/p>\n\n\n\n

*** We do not want anyone to be left out of the activities due to economic issues, if this is your case, let us know.
<\/em>Likewise, Observatorio del Placer is a project in formation, if you want to support us with greater collaboration, it will also be welcome.<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

MAKE YOUR REGISTRATION THROUGH THIS LINK<\/strong><\/p>\n\n\n\n

https:\/\/forms.gle\/5NUJuPssFcicFaHA7<\/strong><\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

Closing activity of ASS OPERA, singing with the power of erotics by Marja Christians<\/h5>\n\n\n\n

Transfeminist desire, queerfeminist erotica is recovering the suppressed erotic as considered source of power and information within queer lives and sexuality<\/strong>. The erotic as power (according to Audre Lorde) claims the feeling, puts it in the center and takes it from there. counterhegemonic libido strategies<\/strong> that help us remember places of the body and pleasure that were denied or even prohibited to us. As a multidisciplinary dance creator she investigated anus singing and shared oceanic-erotic practices, inviting dissident peers. The Conversation, sound and song come through the anus: transfeminist and queer erotica and desire<\/strong>.<\/p>\n\n\n\n

_ PUNTO DE PARTIDA \/ contexto de la investigaci\u00f3n y creaci\u00f3n<\/em>
Como core\u00f3grafa y cantante de \u00f3pera quiero ampliar estrategias de seducci\u00f3n para invitar a quienes quieran a adentrarse al oc\u00e9ano erotico rebelde que comienza en el ano<\/strong>. Teniendo como referencia central la obra de Audre Lord USES OF THE EROTIC: THE EROTIC AS POWER (1978) conecto en mi practica con su poder transformador: \u00abReconocer el poder de lo er\u00f3tico dentro de nuestras vidas puede darnos la energ\u00eda para perseguir un cambio genuino dentro de nuestro mundo\u00bb, afirma ella.
Quiero traducir y investigar este poder de lo er\u00f3tico en practicas art\u00edsticas seductoras y performativas del canto del ano<\/strong>. La investigaci\u00f3n se dar\u00e1 a partir de una escucha profunda de los deseos eroticos (en el sentido de Lorde) que nos mueven a encontrarnos con cuerpas que sienten profundamente las relaciones con otres humanes y no humanes, que pueden rememorar y escribir narrativas improbables olvidadas o que no han tenido suficiente espacio para manifestarse en un mundo comandado por las fuerzas hegem\u00f3nicas y capitalistas. La ficci\u00f3n es la estrategia para poder activar estas narrativas er\u00f3ticas. El oc\u00e9ano y el agua a trav\u00e9s del canto del ano son el medio y el elemento con el cual practicar y relacionar las
materialidades er\u00f3ticas<\/strong>. Nosotres somos las entidades queer-transfeministas rebeldes que incorporan el erotico y su poder, y todes tenemos un culo y el ano con su poder:
Paul B. Preciado manifiesta la apropiaci\u00f3n del falo: el dildo. Tambi\u00e9n est\u00e1 el poder de sujetar, abrazar, rodear. La fuerza del ano es: la circlusi\u00f3n<\/strong>, como formulada por la activista queerfeminista Bini Adamczak.
https:\/\/thenewinquiry.com\/six-years-and-counting-of-circlusion\/<\/p>\n\n\n\n

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Marja Christians<\/h2>\n\n\n\n

Core\u00f3grafa | dreamer with a plan | Cantante de \u00f3pera (Berl\u00edn\/Frankfurt\/Barcelona)<\/strong>
desarrolla espect\u00e1culos de danza internacionales y queer feministas con humor cr\u00edtico del poder, m\u00fasica electr\u00f3nica experimental y coreograf\u00eda. Ha sudado la gota gorda con el p\u00fablico en el premio del jurado Sophiensaele del festival 100\u00b0 de Berl\u00edn, en el BEST OFF 2016 (Alemania) y en el FREISCHWIMMEN 2019 (Suiza, Alemania, Austria) con el legendario d\u00fao feminista de performance christians\/\/schwenk junto a Isabel Schwenk (desde 2011). Estudi\u00f3 un BA en canto, m\u00fasica, performance y pr\u00e1cticas est\u00e9ticas en la Universidad de Hildesheim (c\u00e9lebre por su arte performativo) y obtuvo un m\u00e1ster internacional en coreograf\u00eda<\/strong> con Bojana Kunst<\/strong>.
Fue becaria de danceWEB (2018), as\u00ed como de las becas de residencia #takecare y #takeheart con Mousonturm Frankfurt. Marja forma parte de la compa\u00f1\u00eda de danza PULSO (Par\u00eds\/Marsella) de la core\u00f3grafa Roc\u00edo Berenguer (Teatros Canal), Investiga en pr\u00e1cticas rebeldes colectivas y espect\u00e1culos de danza en colaboraci\u00f3n internacional tambien fuera de las instituciones. Nueva colaboraci\u00f3n 2023: performance de danza LIKE A FISH OUT OF SALTY WATER con Golschan Ahmad Haschemi y la core\u00f3grafa Olivia Hyunsin Kim.
Marja desarrolla y facilita procesos de investigaci\u00f3n art\u00edstica<\/strong>, como en las ruinas capitalistas del Hotel Haludovo en el antiguo suelo socialista de la isla de Kirk en Croacia (en 2020 y 2021). Marja es una so\u00f1adora rebelde que saca la revoluci\u00f3n con erotismo y canto desde el ano, respira profundamente y vamos!<\/p>\n\n\n\n

http:\/\/juicyfrictions.com<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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_ Residencia 9 – 13 de septiembre 2024_ Canto l\u00edrico desde el ano y otres Sirenes del O – domingo 15 septiembre Actividad cierre de la residencia art\u00edstica Ass Opera Ahhhh, respira profundo y relaja tu ano: \u00a1Ven a un encuentro performativo entre Ass Opera y la verg\u00fcenza como posibilidad de erotismo queerfeminista y transformaci\u00f3n! […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2605","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/2605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/comments?post=2605"}],"version-history":[{"count":9,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/2605\/revisions"}],"predecessor-version":[{"id":2700,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/2605\/revisions\/2700"}],"wp:attachment":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/media?parent=2605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}