{"id":2635,"date":"2024-08-24T13:49:16","date_gmt":"2024-08-24T11:49:16","guid":{"rendered":"https:\/\/observatoriodelplacer.com\/?page_id=2635"},"modified":"2024-10-08T09:03:07","modified_gmt":"2024-10-08T07:03:07","slug":"undisguised-residencia-andre-uerba","status":"publish","type":"page","link":"https:\/\/observatoriodelplacer.com\/en\/undisguised-residencia-andre-uerba\/","title":{"rendered":"UNDISGUISED por Andr\u00e9 Uerba"},"content":{"rendered":"
\n
\n
_ Residencia art\u00edstica 7 – 13 oct
_ Open Studio \/ Performance Sharing Sunday, October 13th<\/a><\/h5>\n\n\n\n

\u201cUndisguised\u201d<\/strong> is the first research for a new project and intertwines choreography and somatic practices.\nWithin the frame of the one-week residency at Observatorio del Placer, my wish is to investigate and\ncreate a space for encounters and consensual connections to happen, while being creative, playful and engaging the physical, emotional and erotic body. \u201cUndisguised\u201c takes gestures of intimacy and\ndispositives of support (giving & receiving) as an ethical and creative input, and attempts to formulate\nwhat are the rituals of gathering of the 21st century.<\/p>\n\n\n\n

Working across slow movement, intimacy, presence, holding space, consent, text, conscious touch and singing, I propose to examine the desire or wish of \u201cbelonging\u201d. We rehearse intimacy and train the muscles of vulnerability \u2013 positioning the focus on the process. The deliberate modulation of speed (slow tempo), serves as a conduit to (co-)regulate the nervous system of both performers and viewers. This intentional pacing creates a space for intimacy where the performers move beyond exhibitionism, fostering a sense of communal presence by sharing, not showing. The choreography and the aesthetics emerge from a conscious cultivation of somatic practices and bodily states.<\/p>\n\n\n\n

\u201cUndisguised\u201d explores geographies of affection and how we navigate with and through them. \u201cUndisguised\u201d is part of an intimate series that started with \u201cFire Starter\u201d (2019) and continued with \u201cInviting Moments of Stillness\u201c (2020), \u201cA hole the size of your touch\u201d (2021) and \u201c\u00c6ffective Choreography\u201d (2022).<\/p>\n\n\n\n

Open call<\/h4>\n\n\n\n

This call is for performers that are interested in joining the research and performance (open studio) and who are interested in investigating their physical, emotional and erotic body within the frame of the residency. We will investigate intimate gestures within the frame of the research residency, and you will have agency to decide what you want or not want to do. You will have an overview on how I create work and how I intertwine personal themes within my artistic projects.<\/p>\n\n\n\n

Activity open to those who investigate their sexuality regardless of the gender or identity of the people they will meet in the experience.<\/em><\/strong><\/p>\n\n\n\n

SCHEDULE
<\/strong>_ Investigation _ <\/em>from October 7 to 13, 3-9 p.m.
_ Estudio abierto \/ Intercambio de performances dom 13 oc<\/a><\/p>\n\n\n\n

\n\n\n\n

Andr\u00e9 Uerba<\/h2>\n\n\n\n

Andr\u00e9 Uerba was born in Lisbon and based in Berlin since 2013. Holds an MA in Arts, Solo\/ Dance\/ Authorship from HZT Berlin (2015) and develops group projects since 2018. His research is nourished by expanded practices within choreography and bodywork.<\/p>\n\n\n\n

Selected work: \u201c\u00c6ffective Choreography\u201d (2022) presented at Radialsystem (Berlin), Halle am Berghain (Berlin), Tanzbiennale Heidelberg, English Theater Berlin, Antwerp Queer Arts Festival; \u201cA hole the size of your touch\u201d (2021) presented in the frame of BoCA - Biennial of Contemporary Arts (Lisbon); \u201cInviting Moments of Stillness\u201d (2021) developed at Radialsystem; \u201cPool of Emotions\u201d (2019), an event\/ gathering on its 5th edition; \u201cFire Starter\u201d (2019-2020), developed at Flutgraben Berlin; \u201cBurn Time\u201d (2018), presented in Portugal, Germany, Sweden, Spain, Slovenia, Indonesia and Taiwan. In 2021 Uerba was part of \u201cRe-Think (Accessibility & Sustainable Mobility)\u201d, a one-year program supported by the Swedish Institute and Norrlandsoperan.<\/p>\n\n\n\n

In 2022\/2023 he received the Tanzpraxis Grant (Berlin) and in 2023 he was a grant holder of the Pina Bausch Fellowship, having as a cooperation partner choreographer Diana Niepce, within the frame of \u201cNorm\u201d, a training program for disabled and non-disabled artists. From 2012 to 2019 Andr\u00e9 worked as artistic collaborator, group coordinator and performer with the duo Ana Borralho & Jo\u00e3o Galante (Atlas, Trigger of Happiness & SexyMF).<\/p>\n\n\n\n

Besides creating his own projects, Uerba unfolds his practice into mentoring, dramaturgical support and workshop facilitator within diverse contexts. In 2023 the workshop \u201cUndisguised Matter\u201d was part of Theater Treffen - International Forum at Martin-Gropius-Bau and part of the \u201cDance and Mediation\u201d program at Zentrum f\u00fcr Zeitgen\u00f6ssischen Tanz in Cologne.<\/p>\n\n\n\n

Andr\u00e9 holds a training and certification as a Sexological Bodyworker from the Institute for Somatic Learning, Sexuality and Bodywork (Berlin).<\/p>\n\n\n\n

www.instagram.com\/andre_uerba<\/strong><\/u><\/strong><\/a>
www.shorthope.org<\/strong><\/u><\/strong><\/a><\/p>\n<\/div>\n\n\n\n

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\"residencia<\/figure>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
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This work was produced with the financial assistance of the European Union. The views expressed
herein can in no way be taken to reflect the official opinion of the European Union.<\/figcaption><\/figure>\n\n\n\n
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The OdP 2024 artistic residency project receives support from Barcelona City Council.<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

_ Residencia art\u00edstica 7 – 13 oct_ Estudio abierto \/ Intercambio de performances dom 13 oct \u201cUndisguised\u201d es la primera investigaci\u00f3n de Andr\u00e9 uerba para un nuevo proyecto que entrelaza la coreograf\u00eda y las pr\u00e1cticas som\u00e1ticas. En el marco de la residencia de una semana en Observatorio del Placer, mi deseo es investigar y crear […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2635","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/2635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/comments?post=2635"}],"version-history":[{"count":40,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/2635\/revisions"}],"predecessor-version":[{"id":2979,"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/pages\/2635\/revisions\/2979"}],"wp:attachment":[{"href":"https:\/\/observatoriodelplacer.com\/en\/wp-json\/wp\/v2\/media?parent=2635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}